Portail des médiathèques du réseau Paris-Saclay

A group of students share a house in the eighties, fall in and out of love, and drift apart. A decade later they are drawn back together by a series of coincidences involving their obsession with sleep. Sarah is a narcoleptic who bas dreams so vivid she mistakes them for real events; Robert has his life changed for ever by the misunderstandings that arise from her condition; Terry, the insomniac, spends his wakeful nights fuelling his obsession with movies; and the increasingly unstable Dr Gregory Dudden sees sleep as a life-shortening disease which he must eradicate ...

Sixteen-year-old Aza never intended to pursue the mystery of fugitive billionaire Russell Pickett, but there's a hundred thousand dollar reward at stake and her Best and Most Fearless Friend, Daisy, is eager to investigate. So together, they navigate the short distance and broad divides that separate them from Russell Pickett's son, Davis. Aza is trying. She is trying to be a good daughter, a good friend, a good student, and maybe even a good detective, while also living within the ever-tightening spiral of her own thoughts. In his long-awaited return, John Green, the acclaimed, award-winning author of Looking for Alaska and The Fault in Our Stars, shares Aza's story with shattering, unflinching clarity in this brilliant novel of love, resilience, and the power of lifelong friendship.

Passionate, compassionate, vitally inventive and scrupulously playful, Ali Smith’s novels are like nothing else. A true original, she is a one-of-a-kind literary sensation. Her novels consistently attract serious acclaim and discussion—and have won her a dedicated readership who are drawn again and again to the warmth, humanity and humor of her voice. How to be both is a novel all about art’s versatility. Borrowing from painting’s fresco technique to make an original literary double-take, it’s a fast-moving genre-bending conversation between forms, times, truths and fictions. There’s a Renaissance artist of the 1460s. There’s the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real—and all life’s givens get given a second chance.

**The dazzling new novel from the prize-winning, bestselling author of Middle England** A young woman named Calista meets the famed Hollywood director Billy Wilder in the sweltering summer of 1976. She knows nothing about him or his work, but this chance encounter will change her life for good.But while Calista is thrilled with her new adventure, Wilder himself - struggling to raise the money for his next feature film - is living with the realisation that his star may be on the wane.In his new novel that is, by turns, funny, tender and profoundly truthful, Jonathan Coe turns his gaze to the nature of time, fame, family and nostalgia. When the world is catapulting towards change, do you hold on for dear life or decide it''s time to let go?br>_______________________________________________________Praise for Jonathan Coe''Coe is a writer of uncommon decency''Observer''Brilliantly funny''Economist''Superb''Times''Very, very funny''Stylist>

On the day of his daughter's wedding, Agamemnon orders her sacrifice. His daughter is led to her death, and Agamemnon leads his army into battle, where he is rewarded with glorious victory. Three years later, he returns home and his murderous action has set the entire family - mother, brother, sister - on a path of intimate violence, as they enter a world of hushed commands and soundless journeys through the palace's dungeons and bedchambers. As his wife seeks his death, his daughter, Electra, is the silent observer to the family's game of innocence while his son, Orestes, is sent into bewildering, frightening exile where survival is far from certain. Out of their desolating loss, Electra and Orestes must find a way to right these wrongs of the past even if it means committing themselves to a terrible, barbarous act.

Content with her life and not interested in marriage, Emma Woodhouse, a rich and beautiful heiress, causes complications with her matchmaking schemes.

Despite the tumor-shrinking medical miracle that has bought her a few years, Hazel has never been anything but terminal, her final chapter inscribed upon diagnosis. But when a gorgeous plot twist named Augustus Waters suddenly appears at Cancer Kid Support Group, Hazel’s story is about to be completely rewritten.

A moving, compassionate portrait of individual and national change (Guardian)